Sunday, October 7, 2012

All The Wedding Photography Lenses You Require To Catch The Right Moment - Part 1

By Dan Feildman




There're normally four kinds of photography lenses that every wedding photographer must have in his/her gig bag:

* Wide-Angle Zoom

* Wide-to-Telephoto Zoom

* Image-Stabilized Telephoto Zoom

* Prime/Portrait Lenses

Wide-Angle Zoom: Wide Angle zoom lenses are one of the most vital photography lenses that every wedding photographer should have, generally 17 mm to 35 mm in length with a fixed aperture of f/2.8. They provide a large depth of field, making it simple to have foreground and background in focus. They may be an indispensable wedding photography tools that allows versatility in confined areas like a small banquet room or crowded dance floor. While shorter photography lenses enable you to capture more details, wide-angle zoom lenses permit you to capture more reactions and surroundings to tell a better story.

To explain further, wide-angle zoom photography lenses enable you to shoot a wider perspective of moments happening around the main subject, therefore providing a greater picture of the entire event. For instance, wide angle photos have the ability to tell "stories within a story", allowing you to reveal more of the story behind the shot. This is vital for a good photojournalistic wedding photography. As events around weddings are very time sensitive, great photography lenses will allow you to catch as many actions or emotions in the quickest time as possible.

When used in a location such as the church or ballroom, wide angle zoom photography lenses also magnify the grandeur and space of the area, which encapsulates the artistic feel for a photojournalistic wedding photography.

However, you need to be selective of the scenes or actions using wide angle photography lenses, as a caveat to shooting wide is that it makes some body distortion, particularly when a subject is photographed close-up. Usually, people tend to look heavier and shorter on the edges, while arms can look huge. The very last thing you want is to have the bride cursing you for making her look like she has put on ten pounds! To get around this problem, you need to as far as possible avoid putting the bride and groom at the edges of the wide-angle distortion. Additionally, wide-angle photography lenses may also introduce distracting or undesired elements into the frame, which may otherwise ruin a picture-perfect moment.

Wide-to-Telephoto Zoom: Wide-to-Telephoto lenses are the single most important photography lenses that a wedding photographer can not do without. They should ideally be lenses that cover around the 20-70mm focal length range with an aperture of f/2.8. This ideal range allows you to get wide enough to take a group photograph and close enough to capture facial emotions in your candid shots or a three-quarter portrait of a couple without the unwanted effects of wide angle perspective distortion. Additionally they double as good lenses for portraits. Given this lens, you would be able to capture most of the shots essential for a wedding nicely.

Image-Stabilized Telephoto Zoom: Image Stabilized telephoto zoom lenses are also crucial components of your wedding photography tools checklist. The 70-200 mm focal length is a significant range for wedding ceremony photographs. It lets you give your subjects more space in conditions where you don't wish to obstruct. Since you'll sometimes be photographing down the aisle from the back of the church, image-stabilized telephoto zoom lenses will come in really useful. 200 mm is good enough to be able to take 3/4 length photos of the bride and groom exchanging their vows while staying at a fair distance from the action and 70 mm is wide enough to take in the bridesmaids or groomsmen as a group without switching photography lenses.

A good thing to note is that when using this kind of photography lenses, nice blurred background can be attained with highest wide apertures of f/2.8 and long focal lengths of 200mm or 300mm, whether you are using a full-frame or a small sensor body. This lets you isolate the subject from its background, and to focus attention on the image as the main subject you wish to portray. Such photography lenses are specially useful for shots where you're unable to get in close and for personal and private moments, where you wish to be an unobserved stranger at a distance. A few examples include a mischievous grin, a kiss, a stolen glance - the details which are effectively conveyed by the emotions. Image-Stabilized telephoto zoom photography lenses hence play a vital role in catching this sort of moments.



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